QUEEN'S BENCH DIVISION
Strand, London, WC2A 2LL |
||
B e f o r e :
____________________
SARA KEAYS |
Claimant |
|
- and - |
|
|
(1) GUARDIAN NEWSPAPERS LIMITED (2) ROGER ALTON (3) CAROL SARLER |
Defendants |
|
|
|
____________________
Ms Heather Rogers (instructed by Lovells) for the Defendant
Hearing date : 17 June 2003
____________________
Crown Copyright ©
Mr Justice Eady :
"WHAT A PREPOSTEROUS piece of work is Miss Sara Keays, prowling print and airwaves with the finest furies of a woman scorned as, nearly two decades after the event, she manages to excise yet another pound of Parkinson flesh. Or, as Edwina Currie once put it, rather more succinctly: "What a right cow!".This is a woman who, for 12 years, had an affair with a married colleague, became pregnant, and then, in the same-old-same-old, found that Cecil Parkinson declined to leave his wife and family or to have contact with their baby.
Boy, did she spit. She even gave "her side of the story" to the Times 18 years ago, thus introducing the august organ to its first kiss-and-tell, and was mightily rewarded: Parkinson resigned his Cabinet position and was never again to be referred to as a future Prime Minister. For most women, that would have been satisfaction enough; Miss Keays, however, is not most women.
Parkinson proved to be as good as his caddish word; he has never met his child, Flora – though he has, all along, provided financially for her. He also did the child one extra favour, even if his motive at the time was not exactly altruistic: in an effort to guarantee the silence of the vituperative Keays, he gained a gagging order to prevent mother or daughter talking publicly throughout Flora's childhood.
That, as it would turn out, was a blessing. Flora succumbed both to epilepsy and autism and is permanently brain-damaged. Yet in 1995 her mother actually allowed a television crew to film her having treatment, and it was only papa's gag that prevented Flora and her piteous mental ill-health being dished up for the nation's entertainment. At least in the short term.
LAST WEEK, however, Flora came of age so the gag ran out of time. And barely had the candles blown out on the cake than both she and mummy were polished and preened and posing for newspapers left and right, while on Thursday night a television show gained prime time for its intrusion into a damaged young girl's life.
Never mind that Flora was so shyly stricken by the sight of one newspaper interviewer that she sought literally to hide behind her mother's back; never mind that her brain damage is so extensive that she believes the blood in Casualty is real; never mind that she found her own puzzled question broadcast to a prurient audience: 'What's an affair?' She is, technically at least, an adult so she – and Sara – can do as they wish. Flora's eagerness to please her mother is as touching as it is unsurprising; beyond doubt, Miss Keays has worked with real passion to overcome her daughter's setbacks and their relationship is close. So when her mother asks her, on camera, if she minds being on camera, Flora's acquiescence is a foregone conclusion – though whether she really wanted to spend her eighteenth birthday holed up in a hotel bedroom, paid for by 'a national newspaper', we can never properly know.
Sara Keays's justification for the intrusive spectacles is breathtakingly disingenuous. 'Media interest has been intensified by the injunction', she says, 'And with her eighteenth birthday approaching, publicity would be inevitable'.
Actually no, it wouldn't be. Frankly, if we had to follow up on every bastard child of every politician of every persuasion, we would run out of life. It's noteworthy that only eight years ago serving Conservative Minister, Tim Yeo, fathered another illegitimate daughter by another colleague – yet who, today, could name either mother or child?
But then, Yeo's mistress has not spent the past few months as has Keays, negotiating deals with newspapers, with production companies, with photographers, with Woman's Hour and the rest of the mob; just as with her Times piece all those years ago, still claiming she only wants to put her side and still knowing that each time she does, every item of promotion will begin: 'Flora Keays, the abandoned child of Lord Parkinson…' thus reminding the world, yet again, What Daddy Done Wrong.
She plays a clever game, mind, does Sara. She doesn't actually badmouth Parkinson – well, not much; mostly she lets poorly Flora do that bit. The girl says: 'If he loved me, he would want to see me', and tells us that there wasn't a birthday card, even for her eighteenth, 'though Mummy told me not to expect one'. You can bet she did.
When Sara Keays elected to become a single mother, she had an obligation to her child to help her to feel as cherished as is possible. A million women before her have learned the little fibs to explain away the absent father: 'He loved us but he had no choice.' 'He'd be with us if he could be.' Dammit: 'He died a war hero,' if all else fails. If we can ease the ills of childhood with a few tales of Santa Claus and tooth fairies, then why not add a few more of a man that your child is never going to meet anyway?
YET ALTHOUGH it is arguably even easier than usual to fib to a child like Flora, Sara was shamelessly filmed telling her: 'He didn't want to have anything to do with us'. And when Flora asked if he came to see her when she was born she, along with a few million viewers, was told: 'He chose not to.'
If stoical, slow, sweet Flora was thus left feeling that maybe the absence was caused by some defect of hers, she was certainly not assured otherwise.
Let us be clear here: this is neither defence nor excuse for Lord Parkinson. He is a selfish adulterer, as surely as Miss Keays is a well of apparently limitless bitterness, and in a just world they probably deserve each other. But on the distasteful showing of the past week, we are left to wonder whatever poor Flora did to deserve either of them."
i. The Claimant has cynically exploited her vulnerable handicapped daughter by deliberately and detrimentally exposing her to maximum media attention in order to further her vituperative campaign of revenge against Lord Parkinson;
ii. The Claimant lied when she claimed that her justification for engaging the media was that publicity was inevitable when Flora turned eighteen and the injunction ended, when in truth her motivation was as set out in (i) above;
iii. The Claimant gave a "kiss and tell" story to The Times newspaper in which she disclosed intimate details about her affair with Lord Parkinson, in order to exact revenge upon him.
"The question, therefore, in all cases is whether there is a sufficient substratum of fact stated or indicated in the words which are the subject-matter of the action, and I find my view well expressed in the remarks contained in Odgers on Libel and Slander (6th ed, 1929), at p.166. 'Sometimes, however,' he says, 'it is difficult to distinguish an allegation of fact from an expression of an opinion. It often depends on what is stated in the rest of the article. If the defendant accurately states what some public man has really done, and then asserts that 'such conduct is disgraceful,' this is merely the expression of his opinion, his comment on the plaintiff's conduct. So, if without setting it out, he identifies the conduct on which he comments by a clear reference. In either case, the defendant enables his readers to judge for themselves how far his opinion is well founded; and, therefore, what would otherwise have been an allegation of fact becomes merely a comment. But if he asserts that the plaintiff has been guilty of disgraceful conduct, and does not state what that conduct was, this is an allegation of fact for which there is no defence but privilege or truth. The same considerations apply where a defendant has drawn from certain facts an inference derogatory to the plaintiff. If he states the bare inference without the facts on which it is based, such inference will be treated as an allegation of fact. But if he sets out the facts correctly, and then gives his inference, stating it as his inference from those facts, such inference will, as a rule, be deemed a comment. But even in this case the writer must be careful to state the inference as an inference, and not to assert it as a new and independent fact; otherwise, his inference will become something more than a comment, and he may be driven to justify it as an allegation of fact".
"1.1 He describes Professor Bratholm's recent report on police brutality at Bergen police department as 'pure misinformation intended to harm the police'….- 3 There must be other ulterior motives. It appears as if the purpose has been to undermine confidence in the police…
- 2 In my view, one is faced with a form of skulduggery and private investigation where there is good reason to question the honesty of the motives.
2.3 The Norwegian Police Association will not accept … private investigations on a grand scale made by dilettantes and intended to fabricate allegations of police brutality which are then made public."