CHANCERY DIVISION
Strand, London, WC2A 2LL | ||
B e f o r e :
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(1) Roderick Hart (2) Relentless Recordings Ltd | Claimants/ Appellants | |
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(1) Relentless Records Ltd (2) Relentless Music Publishing Ltd (3) Media Village PR Ltd and between: (1) Relentless Records Ltd (2) Relentless Music Publishing Ltd -and- (1) Roderick Hart (2) Relentless Records Ltd | Defendants/ Respond- Ents Part 20 Claimants Part 20 Defendants |
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James Mellor (instructed by Clintons) for the Respondents
Hearing dates : 31 July/1 August 2002
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Crown Copyright ©
Mr Justice Jacob:
Q. So what did you think you were doing back in 1995/1996/1997 sending letters out saying "Rod Hart, managing director" with a company number at the bottom? Are you seriously suggesting that you were trading on your own account?
A. I was acting on behalf of the company as a director. I understand that yes.
….
Q. So you agree that from 1995, whenever you were conducting any business under the Relentless name you were doing it on behalf of the company
A. I understand that yes
Q. Not on your own behalf?
A Sometimes I was. If it was a writing or production capacity I do not have an incorporated writing or production company set up.
Q OK, but writing, we will treat that as a private activity. But anything to do with Relentless was not you: it was the company.
A Right. I understand that and I was responsible for that, yes.
Q. In fact that has been your view throughout, has it not?
A. I was in charge, yes.
Q. You have always been acting on behalf of the company?
A Of course, yes.
2 December 1999 from the company's then solicitors, P Russell & Co)
“We act for Relentless Recordings in relation to protection and enforcement of its intellectual property rights in the United Kingdom. We understand that you have currently released for sale a CD containing a recording entitled “Rewind” by The Artful Dodger, bearing our client’s trademark “Relentless”.
Our client is a well established company in the music industry and is registered at Companies House.
Our client clearly have goodwill and reputation attached to its services and your use of the name “Relentless” is a misrepresentation to the public leading to confusion. You are wrongfully appropriating to yourself part of the reputation and goodwill belonging to our client and you are infringing the integrity of our clients’ property in that reputation and goodwill.
Your misrepresentation is leading the public to believe that your business is connected to our client’s business which will cause damage to our client without limitation by way of loss of business and the wrongful assumption that our client is associated with your company.”
14 January 2000 Defendants' then solicitors to Shah Solicitors
“Our client received a letter from P Russell & Co dated 2 December 1999, in which P Russell & Co alleged that our client’s use of the name “Relentless” was a misrepresentation to the public leading to confusion, and thus amounted to passing off. Our client has now received a letter from you enclosing a Notice of Issue of Legal Aid Certificate, in which it is stated that Mr Roderick Hart proposes to bring an action against our client for infringement of copyright.
We note that you have provided no explanation of the alleged basis for your client's proposed claim.
14 January 2000 from Shah Solicitors
“The letter before action send by our Client’s previous Solicitors, P Russel & Co, made it abundantly clear the reason why our Client considered the use of the name ‘Relentless’ by your Client amounted to a blatant and unlawful passing off.
We understand your Client, in response, informed our Client’s previous Solicitors that the use of the name was coincidental and that our Client was not known to them.
We do not accept this to be the case and subject to an amendment to our Clients Legal Aid Certificate and the receipt of Counsel's written Opinion, we shall issue proceedings against your Client in which we shall seek an order forbidding them from using the name aforementioned and substantial damages.”
18 January 2000 from defendants' solicitors
“You refer to our client’s alleged passing off as “blatant”. However, neither P Russell & Co nor yourselves have provided any evidence of confusion to the public; nor has our client encountered any cases of confusion between it and your client. According to our company search, Relentless Recordings Limited is a dormant company and therefore we fail to see how any confusion could arise, or what losses Relentless Recordings Limited could have suffered. In the absence of any confusion, please provide us with particulars your client’s alleged loss to date.
Please also explain why, on the Notice of Issue of Certificate of Legal Aid, Mr Hart in his personal capacity is stated to be the proposed Claimant. Quite apart from the fact that our client believes your client’s stated case to be without any merit, it is clear that any of the rights which your client alleges have been infringed will, to the extent that they may exist, be owned by Relentless Recordings Limited, and not Mr Hart. It is, therefore, wholly inappropriate for Mr Hart to seek legal aid in his personal capacity in order to bring this action and we would be grateful for your confirmation by return that your client will not be proceeding on this basis. In the absence of such confirmation, we will be making immediate representations to the Legal Aid Board to have your client’s Emergency Legal Aid Certificate revoked.”
24 January 2000 from Shah Solicitors
“We note all you say but with respect we do not consider that you are dealing with the substance of our client’s allegation against yours. We are satisfied on the evidence we have collated to date that there was total confusion within the music industry as to whether the record in question had been released by our client’s company as opposed to yours. We have at present 11 statements from various music companies confirming that when they heard that the record in question had been released on the Relentless title they immediately contacted our client asking him to supply them this was done [sic] because of course in each case they were aware that the name Relentless was associated with our client’s company.”
27 January 2000 from Defendants' solicitors
“We note that you have obtained a number of statements of confusion. We would be grateful if you would supply us with copies of these as soon as possible.
We also note that you have failed to address a number of important issues which we raised in our letter as follows:
1. Particulars of the loss and damage which your client alleges it has suffered.
2. Clarification of the identity of the proposed Claimant in this action.
When we have received this information and have been provided with copies of your client’s evidence of confusion, we will be in a position to take our client’s instructions. However, until then, our client continues to deny your client’s allegations.”
3 February 2000 from Defendants' Solicitors
“We refer to our letter of 27 January 2000.
We note that we have not received a response to this and would be grateful to receive one as soon as possible”.
1 (sic - it must be 3rd) February 2000 from Shah Solicitors
“Our Client has a further conference with Counsel tomorrow, 4 February 2000 and thereafter we will write to you regarding further Disclosure as requested.”
February 2001 Shah Solicitors
“We note that despite the letter dated 2 December 1999 sent to you by our predecessors, and us informing you of our intention to commence proceedings for a passing off claim, your client has continued trading under the name of Relentless Records.
Our client has goodwill and reputation attached to its services and your use of the name “Relentless” is a misrepresentation to the public leading to confusion. You are wrongfully appropriating to yourself part of the reputation and goodwill belonging to our client and you are infringing the integrity of our clients’ property in that reputation and goodwill.
Your misrepresentation continues to lead the public to believe that your business is connected to our client’s business which will cause damage to our client without limitation by way of loss of business and the wrongful assumption that our client is associated with your company.”
16 February 2001 Clintons for the 1st and 2nd Defendants to Shah Solicitors
“Dealing first with your letter of 2nd February 2001, we would say at the outset that we have advised our client in the strongest terms that any action which you may bring against our client for passing off would be bound to fail. Firstly, and in the absence of any evidence from you to the contrary, our client denies that your client has, or has ever had, a sufficiently extensive reputation so as to give rise to a claim in passing off. This applies equally to your client, Mr Hart, and the company, Relentless Recordings Limited. In this regard, we note that your client does not, in fact, trade as Relentless Recordings, as you claim; rather, he is a director of the company Relentless Recordings Limited.
Secondly, there has never been any misrepresentation on the part of our client that it is in any way connected with or endorsed by your client. Thirdly, and again in the absence of any evidence from you to the contrary, it does not appear that your client has yet suffered any damage.
What is clear, however, is that there has been confusion amongst a number of people who have come across your client’s records that they are those of our client. Indeed, our client has been asked by a well-known radio DJ if it could supply a copy of “Serious” to him. However, neither we, nor our client, accepts that anyone would ever have purchased a copy of any of our client’s records thinking that it was your client’s. Contrary to your assertions, therefore, we would say that it is your client which is in fact passing itself off as being, or being connected with, our client.
(I interpolate here that the claimant's record "Serious" was issued after November 1999 and is accordingly irrelevant to any reputation or goodwill of either claimant before then)
Furthermore, our client is the proprietor of the registered trade mark “RELENTLESS” in classes 9, 16, 18, 25 and 41 and we attach a copy of the relevant extract from the Trade Marks Registry. Our client has, since December 1999, enjoyed considerable success in the United Kingdom and has, since then, released six singles, all of which have debuted in the top 30 of the UK singles charts. Indeed, our client has now sold in excess of one million singles in the UK. Most notably, “Rewind” by Artful Dodger was released by our client in December 1999 and reached no. 2 in the UK singles charts.”
23 February 2001 from Shah Solicitors
“It is obvious from your letter that your clients intend to continue using the name “Relentless” which is still causing considerable confusion in the music industry and loss to our client. He now has no option but to issue proceedings for passing off. The Particulars of Claim are presently being prepared by Counsel.
Our client has been advised by Counsel that the claim against your clients for passing off is a good one. It is ludicrous to suggest that between 1995 (when our client started to use the name Relentless) and late 1999 (when your clients started to use the name) our client had not built up an extensive reputation in the industry trading under the name Relentless. As your clients would well have known, our client has traded in the music business since 1995 under the name “Relentless” in the following forms; “Relentless Recordings” for record production; “Relentless Music Publishing” for music publishing; “Relentless Mediaworks” for promotional activity; and under the name “Relentless Entertainment Group” to embrace all elements of the business. In an attempt to protect the name, our Client incorporated a company in 1995 with the name Relentless Recordings Limited. As you know he has produced a number of recordings and promos under the Relentless label. Our client is a member of the MCPS and PRS both of which are aware that his record label is called Relentless.
There can be no doubt that by 1999 within the industry the name Relentless was associated exclusively with our client. We have a number of statements from club and Radio DJs to this effect. The name had received wide coverage in the music press and of course appeared in numerous charts.
Our client received numerous queries about “Rewind” because everyone assumed that he had produced it. Your client’s actions were a quite brazen and blatant misappropriation of our client’s goodwill, name and record label. Your clients would not have had the same air time and exposure for Rewind (and its consequent success) if they had not used our Client’s established name to get the DJs to play it.”
3 April 2001 from Defendants' Solicitors
“In your letter you appear to be suggesting for the first time that our client’s use of the name “Relentless” is causing actual and continuing loss to your client. If this is the case, please clarify the extent of these losses and provide us with copies of any evidence on which your client intends to rely in proving such loss.”
“As far back as 24 January 2000 you referred to certain evidence which you have collated in relation to the issue of confusion, including “eleven statements from various music companies”. Despite our predecessors requesting copies of this evidence, you have so far failed to supply it. We would be grateful if you would now do so. Also, in your most recent letter, you state that you have a number of statements from club and radio DJs to the effect that by 1999 the name Relentless was associated exclusively with your client. Please supply us with copies of all such statements. In addition, you state that “the name has received wide coverage in the music press and of course appeared in numerous charts”. Please supply us with copies of any and all press cuttings to which you refer and, as previously requested, let us have details of the number of records sold by your client bearing the mark “Relentless” and highest chart positions of such records.
As we have previously stated, there is currently some confusion on the part of the public in relation to our respective clients, but not confusion as you suggest. Any such confusion has been detrimental only to our client and, on the contrary, has almost certainly been advantageous to your client. Again, we would invite you to particularise the losses which your client is purporting to claim as a result of this confusion. You will of course be aware that without being able to show some actual damage your client’s proposed action in passing off will be bound to fail.
Despite what you say in your letter, our specific queries in relation to “Serious” by Maxwell D have in no way been satisfactorily answered. Your letter comes nowhere close to providing us with sufficient information to allow us properly to evaluate your client’s claims. Instead, you make a number of unsubstantiated sweeping claims, referring for example to your client’s “wide coverage in the music press” and “numerous charts” entries, without providing any details to back these up. In the absence of such detail, our clients cannot possibly take your client’s claims seriously.
We note, however, that you do not consider us to be entitled to the information which we have requested. You state that it is sufficient to say that your client has suffered loss and that details of such loss will be pleaded in the claim shortly to be issued. We must state in the strongest terms that this is not sufficient. In accordance with the pre-action protocols of the Civil Procedure Rules, you are bound fully to set out your client’s claim prior to the issue of proceedings, together with details of your client’s supporting evidence. You have blatantly failed and/or refused to do so in this regard and in all the other respects referred to above. You must realise that should you issue proceedings before supplying us with the basic information which we have requested in order that our client can fully consider your client’s claims, your client will be at severe risk as to costs. We have pointed this out in previous correspondence but in the light of your response to our last letter, must reiterate the point.
Finally, and notably, you have completely failed to address our queries as to the proper identity of your client and the appearance of “published by Relentless Music Publishing” on the record label of “Serious” by Maxwell D. Please now explain to us which party or parties are considering bringing an action against our clients. Given that your client, Mr Hart, has previously had his Legal Aid Certificate discharged on the basis that he was not the proper party to bring the action which you are threatening, we fail to understand why you are now claiming to be instructed by Mr Hart in this action when you and your predecessors have previously claimed to be instructed by Relentless Recordings Limited.”
19 April 2001 from Defendants' Solicitors
“We refer to our letter dated the 3rd April 2001 and note that we have not received any response from you. We would be grateful if you would now address the issues raised in that letter.”
26 April 2001 from Mr Hart's Solicitors
“2. Your clients will be aware that from 1995 to date our client has traded under the name “Relentless”. He used the name for various parts of his business to include, but not exclusive to, the following –
(a) “Relentless recordings” for record production;
(b) “Relentless music publishing” for music publishing as writers and producers of compositions;
(c) “Relentless Media Works” for promotional activities;
(d) “Relentless Entertainment Group” for describing collective all the parts of our client’s business including our artist management, distribution, production, management and video/films.
3. On the 06 January 1995, our client incorporated Relentless Recordings Limited in an attempt to protect his trading name. This company has not traded but it is a member of Video Performance Limited.
4. From 1995 our client has used and been identified by the name “Relentless” and “Relentless Recording” which is his record label. A number of our client artists have released recordings on the Relentless label as follows-
1. Yvette Fauche – Where there is love
2. Platinum Radics – Sugar sugar
3. Governor Tiggy – Feel the groove
4. Arkel – We can work it out
5. Yvette Fouche – Crazy for you
6. Flame Feet Phobe One – Can you feel this
7. Flame Feet Phobe One – Can you feel this, DJ exclusive
8. Heart Beat Family – Hi Grade/Candy man weekend
9. Yvette Fauche – (album) ‘A million miles’
10. Maxwell D – Serious
11. Kid Co – You know how it is
12. Arkel – We can work it our remix 2000
13. Silver – The way you are
14. Pay as You Go – Be real
15. Abbi – Paradise.
5. A number of tracks produced by our client during the “Relentless Recordings” label had been included on the following compilation records:-
1. Planet Mix 98 – records Spain
2. Groove Mania – Polydor Records Japan
3. UK Garage Flava – United Dance Records London
4. Promo Only (two editions) Choice FM London
5. Street Beat/CD Pool (two editions) – Pioneer Electronics London
6. Within the music industry the name “Relentless” or “Relentless Recordings” has been and continues to be associated and identified with our client. In particular the Disc Jockeys in clubs and on radio stations where this sort of music is played and promoted knew and assumed that recordings on the Relentless label where [sic] from our client. The label has been on play list on numerous radio stations along side all the major record companies such as Sony, BMG, Arista and Virgin.
7. In addition our client has been mentioned on numerous occasions (referred to as “Relentless”) in the weekly industry magazine Music Week, which is distributed throughout Europe. He has similarly received coverage in other music publications such as Muzik, Touch Magazine, Blues & Soul, Mix Mag Update and Dee Jay Magazine.
8. Record shops display record charts, sometimes compiled by Disc Jockeys from the record they have been playing and received favourably in their clubs. Such charts always include the artist’s name and the record label. The name Relentless meaning our client appeared in numerous such charts.
9. Our client is personally a member of the Music Copyright Protection Society and the Performing Rights Society both of which are where he traded under the name and his record label is called Relentless.
10. In the premises, by 1999, our client had built up a substantial good will and reputation under the “Relentless” name and was always so identified within the industry. Relentless was a well-known and respected label exclusively associated with our client.
17. By using the label “Relentless”, the Defendants were misrepresenting their recordings as being that our client [sic]. They were deliberately appropriating to themselves the goodwill and reputation in the name “Relentless” belonging to our client.
18. As a consequence, the Artful Dodger recording was played by Disc Jockeys and was received very favourably. The recording has been very successful. It would not have received the same airtime and exposure if the Defendants had not used our client’s established name.”
I interpolate that this is the first time that deliberate passing off was firmly alleged. There is also a specific allegation that the Defendants' success was in part due to that passing off. Neither of these serious allegations was remotely made out.
“21. However, your clients have continued to and still use the name “Relentless” causing immense confusion. There often appear in the same charts two records both under the label “Relentless” but one produced by our client and the other by your client.”
16 May 2001 from Defendants’ Solicitors
“2. Prior to receipt of the letter from your predecessors, P Russell & Co, dated 2 December 1999, our clients were not aware of the existence of your client. You claim that your client has traded under the name “Relentless” since 1995. However, you have failed to produce any evidence of this whatsoever. You have merely stated that your client incorporated Relentless Recordings Limited in January 1995, a company which, by your own admission, has never traded.
4. In relation to each of the recordings listed, please provide the date of first release and annual sales figure and supply us with copies of the sleeves and labels of each record showing clearly the appearance of the name “Relentless”.
5. In relation to each record listed, please provide date of first release and annual sales figures. Please also state, in each case, the track or tracks appearing on the compilations which your client claims to have produced, and supply us with copies of the sleeve and labels of each record showing clearly the appearance of the name “Relentless”.
6. The claims which you make in this paragraph are of such a general nature as to be of no evidentiary value whatsoever. Please state precisely which Disc Jockeys in which clubs and on which radio stations you are referring to, providing statements where appropriate. Also, please provide precise details of which radio stations have had any of your client’s artists’ recordings play-listed on them, providing details of the dates upon which the play-list was in use, a copy of the play-lists in question, the track details and details of how the name “Relentless” was used in association with each track in question.
7. Please provide copies of each press cutting referred to, together with the dates upon which each was published.
8. Again, please provide precise details of which shops you are referring to, when the alleged charts appeared, and copies of the charts in question.
9. The fact that your client is personally a member of the MCPS and the PRS is irrelevant. As you are aware, MCPS and PRS are simply royalty collection societies and your client would have no call to trade with them. In any event, it is clear that your client has never use the word “Relentless” in relation to these societies. On the contrary, our client, Relentless Music Publishing Limited, is registered with both MCPS and PRS.
10. In the absence of any evidence to the contrary, we do not see how you can maintain a position that as a result of a few sweeping and unsubstantiated remarks, your client had built up substantial goodwill and reputation under the name “Relentless” by 1999. We and our clients strongly dispute this, and indeed throughout this course of correspondence you have notably failed to give one specific concrete example of the evidence upon which you will seek to rely to prove this to the court. Instead, you have continuously resorted to wide and meaningless generalisations. Any goodwill and reputation which currently exists in the name “Relentless” belongs to our clients.
17. It is quite inappropriate for you to claim that our clients were deliberately appropriating your client’s goodwill in the name Relentless. This is an allegation which is vigorously denied by our clients, who, as we have stated above, did not know of the existence of your client until receiving the letter from P Russell & Co. Nor do we accept that our clients were in any way misrepresenting their recordings as being that of your client in any event. We simply do not accept that the mainstream record buying public would have been aware of the existence of your client, or would have been confused as to the origin of our client’s record.
19. Where is your evidence for these allegations? You have simply listed a wide range of categories of people whom you claim were confused. If you have any specific examples, please supply them. Otherwise, this statement is of no value or meaning.”
“23. The particulars of loss which you have listed are hopelessly particularised and/or evidenced. If you wish to continue to assert these losses, please provide full details of the circumstances surrounding the alleged losses, providing copies of any contracts to which you are referring. In particular, it will be necessary for you to prove:
a. that the sums to which you refer would have been earned by your client trading as “Relentless” and not in his personal capacity as a producer;
b. that the sums which you would have been paid are as stated; and
c. that it was a direct and sole result of the existence of our client that you suffered these losses.
This, of course, assumes that you are able to prove that your client had any rights to the name “Relentless” in the first place, and that our clients have infringed those rights, both of which we deny.”
25 May 2001 from Defendants' Solicitors
“In relation to the issue and service of this Claim on our clients, we must state, for the record, that we consider this step to be utterly unreasonable and precipitous. In particular, neither you nor your predecessors have made any attempt to respond to our letter to your predecessor’s dated 16 May 2001, which sets out in exhaustive detail our clients’ response to your client’s claims, and points out the complete lack of evidence so far provided by your client to support his sweeping allegations against our clients. We hereby [sic] expressly reserve all our clients’ rights in this regard.”
7 June 2001 Shah Solicitors
“With regard to the second paragraph of your letter, bearing in mind that the first correspondence on this matter was generated in December 1999 we do not see how you can seriously suggest that it was precipitous for proceedings to be issued.”
11 June 2001 from Defendants' Solicitors
“We must reiterate the comments made in our letter of 25 May 2001 in relation to the precipitous manner in which you have issued and served your client’s Claim. The Claim is hopelessly particularised and provides little or no information over and above those limited and generalised allegations and claims contained in your predecessors' letter of 26 April 2001. On 16 May 2001, we sent your predecessors an extensive and detailed reply to that letter setting out our concerns as to the lack of particularisation and evidence provided by your client and predecessors thus far, and explaining our client’s inability to be in a position properly to respond to your client’s claims until such further information had been provided. Without even acknowledging receipt of our letter of 16 May 2001, you have chosen to issue proceedings against our clients. We note your statement in your letter of 7 June 2001 that you have not seen this letter and we attach a further copy. However, the letter was certainly sent to your predecessors and the fact that it was not passed onto you cannot be used as an excuse for your actions in these circumstances.
In any event, so inadequately particularised is your Client’s claim that if our clients were to attempt to respond to it in its current state, their Defence could not go much further than a bare denial of the assertions pleaded. This of course would be of little or no use in furthering this Claim, since it would neither narrow nor define the issues in dispute between the parties, in accordance with the Overriding Objective of the CPR. Moreover, our clients’ Defence would inevitably have to be amended as and when you provide further information on your client’s Claim, resulting in wasted time and thrown away costs.
This situation could, of course, be avoided if you were to provide such further information as our clients’ could reasonably require to assist them in the substantive response to your client’s Claim. Accordingly, we enclose Requests for Further Information in relation to both the Particulars of Claim and Particulars of Objections. You will see that we have requested that you provide your client’s Responses to these Requests by no later than 22 June 2001. We would, in addition, propose that the time for service of our clients’ Defence be extended so as to expire 28 days after service of your client’s Responses to our clients’ Requests.”
3 July 2001 from Mr Hart's Solicitors
“We note that the entirety of your clients’ Defence hinges upon the assertion that “as at November 1999 the Claimant had no reputation or goodwill in the name “Relentless” (paragraph 18(ii)). This assertion is unsustainable for the simple reason that our client had made substantial use of the name prior to November 1999, and he will have no difficulty in proving it. The simple fact of the matter is that he was the first to use the name in the field of popular music. By continuing to use the name (even after having been put on notice of our client’s rights by P Russell & Co’s letter dated 2 December 1999, just days after the release of “Re-wind”) your clients are liable for passing off. The sooner they face reality and accept that, the sooner this dispute can be resolved on sensible terms.”
4 July 2001 from the Defendants' Solicitors
“We note your comments. The existence or not of the necessary reputation and goodwill on your client’s part sufficient to give him exclusive rights in the name “Relentless” has been the subject of lengthy prior correspondence between us and your client'’ previous advisers. We do not propose to rehearse our arguments in this regard, save to say that if your client believes he will have no difficulty in proving such a reputation, why has he failed and/or refused provide [sic] evidence to do so before the issue of proceedings? You talk in your letter of “trite law” in relation to a claim for passing off. Surely there is no more trite law in relation to a claim for passing off, than that mere use of a mark is not enough; to give a party exclusive rights in a mark, the use of that mark must have led him to developed [sic] sufficient goodwill and reputation. You do not address this in your letter and we continue to reject any argument on your client’s behalf that he has ever developed the necessary goodwill and reputation.”
18 July 2001 from Defendants' Solicitors
“We are of course still awaiting your responses to our clients’ Requests for Further Information in relation to the Particulars of Claim served pursuant to CPR Part 18 on the 11th June 2001. Accordingly, and insofar as the requests do not request provision of documents to be served on the 27th June 2001) we would be grateful if you would confirm that you will provide responses to the requests by 27th July 2001.”
10 August 2001 from Claimants' Solicitors
“Please note that during the course of preparing our client’s List of Documents it has become clear that, in addition to Rod Hart, Relentless Recordings Limited owns certain rights. We shall therefore be applying to join Relentless Recordings Limited as a co-Claimant shortly.”
22 August 2001 from the Defendants' Solicitors
“(a) Please confirm that your client will meet our clients’ costs of, occasioned by and thrown away by your amendment.
(b) We are concerned that you are seeking to advance alternative claims which are clearly contradictory. Your client, Relentless Recordings Limited, must know whether or not it has traded. Accordingly, we would be grateful for your explanation as to why this amendment is required.”
6 September 2001 from the Defendants' Solicitors
“3. We note that your client has disclosed dormant company accounts in relation to Relentless Recordings Limited, and no other trading accounts. Please now provide your client’s trading accounts as submitted to the Inland Revenue, and in any event confirm whether or not your client is, or has ever been, registered for VAT purposes.
4. We note that your client has failed to disclose any bank account details or statements relating to his trading activities or those of any of his trading entities. Please now provide these documents.
5. In relation to each of the records which your client claims in his Particulars of Claim to have released, we note that your client has failed to disclose any of the following:
a. Any evidence of agreements with the MCPS or any other owner or controller of copyrights authorising the manufacture and sale by the Claimant of the record to the general public;
b. Evidence of the date of first release of the record;
c. Evidence of the total number of records which the Claimant manufactured or had manufactured prior to 11 February 2000;
d. Evidence of the total number of records which the Claimant sold prior to 11 February 2000;
e. Evidence of the payment of mechanical royalties in respect of such record sales.
Please confirm that no such documents exist or otherwise provide them.
8. We note that your client has failed to disclose any royalty statements from the Mechanical-Copyright Protection Society Limited or the Performing Right Society Limited. Please confirm that no such statements exist or otherwise provide them.
10. We note that your client has failed to disclose any royalty statements from PPL in relation to any instances of your client’s recordings being played on radio, as alleged in paragraph 4(e) of the Particulars of Claim. Please confirm that no such statements exist or otherwise provide them.”
21 November 2001 from Mr Hart's Solicitors
“5. Our clients have traded by giving away between 200 and 500 free promotional copies of recordings and entering into Licence Agreements with third parties. Our clients do not therefore have any such documents.
30 November 2001 from Defendants
“It does not appear to be in dispute that for your client to stand any chance of success in relation to his claim, he will first have to show that, by the time our client first stated using the name “Relentless”, your client had developed a sufficient goodwill and reputation associated with that name. It is absolutely clear from the authorities that this association must exist in the mind of the purchasing public (see Lord Oliver’s speech in Jif Lemon and Jenkins LJ’s speech in Turmix). The full extent to which, and the precise means in which, your client traded using the name Relentless at all material times is thus highly significant. Accordingly, our client is entitled to know whether your client so traded to such an extent that he made any income from his activities. If he did, our client is entitled to know the extent to which he so traded and to see copies of all relevant accounts, balances and statements. Your client has admitted in pleadings that he trades under or by reference to the name Relentless. However, you have consistently failed and/or refused to provide details of his trading accounts. Please now do so.”
“5(a) Whilst we note your answer, the significance of this response appears to be lost on you. How do you intend to show that your client had developed a reputation in the mind of the purchasing public associated with the name “Relentless” in circumstances where it appears that he never sold or marketed any of his records to the public under this name?
5(b)/(c)/(d) Is it really the case that your client retains no documentary evidence of:
a. the first date of manufacture of each of the records;
b. the number of each record manufactured in each pressing;
c. the identity of the manufacturers;
d. the number of each record given away;
e. the date of such distributions; and
f. the recipients of each record (whether by individual name or generic type)?”
"Since being incorporated I have released (on a promotional level only) a number of records by artists on the Relentless label. I have set out details in Schedule 1 together with details of the approximate number of records distributed."
"The question is whether the fair-minded and informed observer, having considered the facts, would conclude that there was a real possibility that the tribunal was biased."
"The court must first ascertain all the circumstances which have a bearing on the suggestion that the judge was biased."
"in considering whether an allegation of bias on the part of the judge has been made out, the public perception of the judiciary is not advanced by attributing to a fair minded member of the public a knowledge of the law and the judicial process which ordinary experience suggests is not the case. That does not mean that the trial judge's opinions and findings are irrelevant. The fair-minded and informed observer would place great weight on the judge's view of the facts. Indeed in many cases the fair-minded observer would be bound to evaluate the incident in terms of the judge's findings."
Mr Justice Jacob: Is he a client, but what his place is in this action, I am not sure at all. That might be another difficulty. Mr Mellor, if the position is that Mr Hart has no claim because any claim could only be in the company, if he were not in the action because he has no claim you would have been in a position to apply for security for costs, would you not?
Mr Mellor: Absolutely. That was one of our protestations that we put forward.
Mr Justice Jacob: All right, we will leave this until his evidence is over.
"Before my learned friend kicks off, may I say that this application was passed to me at. I believe, 9.51 this morning. There have been a large number of witnesses here who have been waiting around outside. In order to prepare to answer that application, it is better to deal with it when one has had a chance to deal with it fully, which will be on Monday morning. Those witnesses who are here can be dealt with today. That is our first suggestion, my Lord. If my Lord is not amenable to that, then we will press on with my learned friend's suggestion."
(i). Mr Hart had formed the company at the beginning of 1995 with his friend Joe Skinner. It had no capital or assets.
(ii) By then he had done nothing personally under the name Relentless which could begin to justify a suggestion that he had any personal goodwill in the name. It is true that he persuaded a performer, Yvette Fauche to sign a recording contract before the company was formed. But even that was purportedly in the name of a company and it is common ground that the company took over once it was formed. It may be remembered here that "goodwill" is "the attractive force which brings in custom" in the classic dictum of Lord Macnaghten in IRC v Muller's Margerine [1901] AC 217 at p.223.
(iii) The company had never traded. Over a three year period it had put out four promotional tracks, given away free in the hope that they would catch on and become commercial - about 1,600 in all. Like all mail shots some probably fell on stony ground, whereas others may have attracted a little interest.
(iv) The number of recipients was perhaps 500 in all. They were principally semi-professional DJs for clubs, though some also did radio shows - mainly on pirate radio. One cannot be precise as to who got the discs because there are no proper records available. There is a list of 300 or so DJs to whom one of the four releases was sent. There was overlap in the sense that many of the DJs would have received more than one release. Some of the recipients may have been stony ground - for no database for promotional pitches can be completely up to date or accurate.
(v) There is no evidence that any of the recipients of the claimant’s discs also received or knew about Re-Rewind when it was being promoted. They only heard of it after success commenced in November 1999.
(vi) There is no evidence that the name "Relentless" ever came before the buying public in any significant manner - it can hardly have done so at all. Not only were there no commercial sales, but it seems unlikely that the name had any significant mention on the radio or in clubs. It is not possible to say it had no mention. It can be said that there would be no good reason for mentioning it because the tracks had no commercial release date.
(vii) What matters primarily when a record is promoted is the track itself (the music and performer) not the record company. That is not to say that in some cases record companies cannot develop a reputation amongst the public for putting out good records - but they have to do that first.
(viii). Each of the white labels issued generated some slight interest in the track. Mr Fernando suggested in this most recent hearing that the tracks created a "buzz." I did not think so at the time of the incidents said to justify recusal and I do not think so now. It is true that there were a number of DJ reaction sheets (Mr Fernando has extracted his best 10 but there were more). There were comments such as "Destined to be very large clubwise and commercially on it all the way works for us." However no track ever fulfilled this prophecy – each quickly faded away after its release.
(ix) Many less DJ reaction sheets were disclosed than there had been white labels.
(x) In support of the "buzz" Mr Fernando also referred to radio airplay. There are some reports suggesting some tracks were so played, albeit to a very minor amount. There was certainly insufficient airplay to generate any royalties (which is highly significant). Nor, for the reasons I have mentioned is it established that the name "Relentless" was ever used on radio. It might have been (though there could have been no motive because the public could not buy). It is certain that if it was it could not have generated any lasting impact - an impact to create "an attractive force to bring in custom."
(xi) Finally so far as "buzz" is concerned Mr Fernando relied upon the undoubted fact that some of the tracks were mentioned in some specialist record charts, 20 in all. Most of these would never have actually got published in magazines because the track did not rise high enough in the chart. The charts would have been available in the industry, however. The name "Relentless" is given as the record company name, though if anyone had shown interest, that interest would have been focused on the track and performer. Given the thousands and thousands of records which would have had similar or better mention over the relevant period it is impossible to infer that the record company name had any significant impact at the time, still less a lasting impact. Certainly none of the witness statements of either side suggest that anyone saw the name in a chart, let alone remembered it. The last of the chart appearances was about 6 months before the defendants commenced use of Relentless.
(xii) Clearly some of the DJs who received the tracks liked them. Others did not. Since the company's written records are incomplete a precise picture cannot be formed.
(xiii) It seems fair to conclude that the name "Relentless" came before a proportion of the DJs concerned – a few hundred or so. It is unlikely that all of the recipients would have remembered the name - it must be taken into account that the name would have been swimming just as a member of a vast shoal of similar minor names. Of course the samples themselves bear the name Relentless - and in that sense are not, like all the other matters relied upon, ephemeral. But the fact that they may remain in the substantial collections of some DJs (who often receive many samples a week) or on the shelves of a few second-hand dealers is hardly enough to lead to the conclusion that there was anything more than a very minimal reputation.
(xiv) When the defendants' record Re-Rewind came out with a burst of success, some of the DJs who knew the claimant company rang up either to congratulate Mr Hart or to ask why they had not had a free sample or both. They were told there was no connection. And that was that. There was no damage, no diversion of trade or anything else. The whole scale of the thing was too small for any protectable goodwill or any damage.
(xv) Gross exaggerations were made in the course of correspondence and later in Mr Hart's witness statement. The only explanation for these can be that it was recognised that what actually happened was likely to be inadequate.
(xvi) The action was begun in the name of Mr Hart alone. Given all the pre-action correspondence and the obviously illegitimate attempt to get Legal Aid that cannot have been an accident. There must have been a deliberate decision to omit the company and a deliberate decision to have Mr Hart as an individual. No explanation for why that was done has ever been offered. No creditable explanation appears conceivable. The only rational explanation is that it is not possible to obtain security for costs against an individual resident in within the jurisdiction because such a claimant does not satisfy the conditions of CPR 25.13(2). There is nothing arcane about this. It stares you in the face.
"The judge's part in all this is to hearken to the evidence, only himself asking questions of witnesses when it is necessary to clear up any point that has been overlooked or left obscure; to see that the advocates behave themselves seemly and keep to the rules laid down by law; to exclude irrelevancies and discourage repetition; to make sure by wise intervention that he follows the point that the advocates are making and can assess their worth; and at the end to make up his mind where the truth lies. If he goes beyond this, he drops the mantle of a judge and assumes the robe of an advocate, and the change does not become him well.
"In some jurisdictions the forensic tradition is that judges sit mute, listening to advocates without interruption, asking no question, voicing no opinion, until they break their silence to give judgment. That is a perfectly respectable tradition, but it is not ours. Practice naturally varies from Judge to Judge, and obvious differences exist between factual issues at first instance and legal issues on appeal. But on the whole the English tradition sanctions and even encourages a measure of disclosure of his current thinking." (Arab Monetary Fund v Hashim (19930 6 Admin L.R. 248 at p.356/
"A trade mark shall not be registered if, or to the extent that, its use in the UK is liable to be prevented -
(a) by virtue of any rule of law (in particular, the law of passing off) protecting an unregistered trade mark or other sign used in the course of trade."
"It appears that Liberty 1 was not just another band, indistinguishable from the vast bulk of the myriad of other bands in this country. …. In 1993 they were voted joint winners of a competition to find the Young London Band of the Year. This was organised and promoted by Capital Radio but also to press coverage and work performing live."
"it was known to some tens of thousands of members of the public at this time and admired by a significant number of them"
The next suggested defence lies under s.3(6). This provides:
"A trade mark shall not be registered if or to the extent that the application is made in bad faith"
Q Mr Hart, there is not the slightest reason why Paul Franklyn or Shabs [as Mr Jobanputra is known] should remember Relentless nearly three years later?
A We had quite a detailed conversation and I remember Paul was very accommodating. He liked the track and he was being very helpful. Whether he remembered or not, I cannot make comment on that.
Q But you are not saying he is lying when he says "I have no recollection whatsoever"?
A He may not have remembered but we did have the meeting and we did talk at some length.
"The trade mark shall not entitle the proprietor to prohibit a third party from using, in the course of trade, an earlier right which applies in a particular locality if that right is recognised by the laws of the Member State in question and within the limits of the territory in which it is recognised."
"A registered trade mark is not infringed by the use in the course of trade in a particular locality of an earlier right which applies only in that locality.
For this purpose an 'earlier right' means an unregistered mark or other sign continuously used in relation to goods or services by a person … from a date prior to whichever is the earlier of -
(a) the use of the first-mentioned trade mark in relation to those goods or services by the proprietor … or
(b) the registration of the first-mentioned trade mark in respect of those goods or services in the name of the proprietor ..;
and an earlier right shall be regarded as applying in a locality if, or to the extent that, its use in that locality is protected by virtue of any rule of law (in particular the law of passing off)."