ON APPEAL FROM QUEEN'S BENCH DIVISION
MR JUSTICE EADY
Strand, London, WC2A 2LL |
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B e f o r e :
LORD JUSTICE HOOPER
and
LORD JUSTICE WILSON
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Craig Joseph & Ors |
Claimants |
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- and - |
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Jason Spiller and 1311 Events Limited |
Defendants |
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Paul Epstein QC and David Price (instructed by David Price Solicitors & Advocates) for the Defendants
Hearing date : 30th July 2009
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Crown Copyright ©
Lord Justice Pill :
"1311 Events is no longer able to accept bookings for this artist as The Gillettes c/o Craig Joseph are not professional enough to feature in our portfolio and have not been able to abide by the terms of their contract.
…
What we say:
The show is an enjoyable soul and Motown experience which is popular for many events throughout the UK. However, following a breach of contract, Craig Joseph who runs The Gillettes and Saturday Night At The Movies has advised 1311 Events that the terms and conditions of '… contracts hold no water in legal terms' (27.03.07). For this reason, it may follow that the artists' obligations for your booking may also not be met. In essence, Craig Joseph who performs with/arranges bookings for The Gillettes and Saturday Night At The Movies may sign a contract for your booking but will not necessarily adhere to it. We would recommend that you take legal advice before booking this artist to avoid any possible difficulties.
Instead, we recommend any of the following professional bands and artists …"
"4. It is pleaded that the Claimants would all have been identifiable by "a large but unquantifiable number of readers of the words complained of". The meaning relied upon in the particulars of claim is that:
"… the Claimants are grossly unprofessional and untrustworthy and will not, and/or are unlikely to, honour any bookings made for them to perform either as The Gillettes or as Saturday Night at the Movies."
There is a claim for general damages and also for special damages in respect of two engagements said to have been cancelled by hirers of their services who had read the words complained of.
5. Before I turn to the defences now under challenge, it is appropriate to set out the background, much of which is in itself uncontroversial.
6. On 13 October 2004 the Claimants entered into a contract with the Second Defendant. Its function was to find hirers for the Claimants' services, but it did not become the Claimants' exclusive agent. They remained on the books of a number of other agents.
7. In April 2006 it was agreed that the Claimants (as The Gillettes) were to perform on 31 December 2006 at a restaurant in Leeds called Bibis. The concert went ahead but the First Claimant describes in his witness statement how the marketing manager of the restaurant, Tracy Dawes, presented herself before they had even got into the building and said, "Whoever your agent is, he is a total tosser, ignorant, rude and aloof". She said that when she had asked the First Defendant, Mr Spiller, for publicity material about The Gillettes for promotional purposes, he replied, "You have already received the marketing material, and can I suggest you go back to your office and have a look for it". This apparently prompted Ms Dawes to say that she would never use 1311 Events again.
8. It appears that the concert went satisfactorily and, in February 2007, Ms Dawes contacted the First Claimant in order to book The Gillettes for a further performance in May of that year. This was done without reference to the Second Defendant, but the Claimants agreed to perform. This is said by the Defendants to be in breach of a "re-engagement clause" in their contract with the Claimants. I shall return to this shortly.
9. When the First Defendant found out about Ms Dawes' second booking, he sent an email to the First Claimant on 27 March 2007, claiming that legal proceedings would be taken against them and that he would report the Claimants to the Musicians' Union because of a breach of a contractual obligation to the following effect:
"The client and artist agree that subsequent bookings within a 12 month period, from any artist provided by 1311 Events can only be booked directly with 1311 Events."
He added that the Defendants would not be representing the Claimants any longer, "as we can only work with professional artists who can accept our terms and conditions".
10. The First Claimant responded the same day in these terms:
"Hi Jason
It appears you do not know the meaning of freelance, that is what all my shows are. You are part of a cog which supplies all agents and artitses [sic] alike with work, one does not work without the other.
You came to me Jason after viewing the quality of our show, your contract is mearly [sic] a formality and holds no water in legal terms. You should consider looking after your clients/ venueus [sic] better then maybe you would not lose them. Do not be fooled into thinking you can lose venues and reep [sic] the benefits from others hard work, that does not hold any legal value any more. You [sic] offer of work to my shows over the years was minimal and neither helped nor hindered our diary.
I am not performing in the show, and since your agreement and terms was with me there are no grounds for your terms or conditions.
Thers [sic] is one outstanding show with you guys Aug 4th o7 we will honour the show as we have all the other shows through your agency, providing you make sure the balance fee £900.00 + vat. TOTAL = £1057.50 is in our account 2 weeks prior to the show date, thus avoiding any cancelation [sic] of the show. Please confirm this can be organized within 7 days or I will cancel the date.
I look forward to any legal trysts.
Kind regards
Craig (On behalf of The Gillettes)."
"This 4 Part form relates to important information about how 1311 Events operates and we ask that you read all of the following information. Some of these details affect the way 1311 Events will operate in the future and, by law, we now require signed confirmation that 1311 Events Ltd can represent your act and use the information provided by you. You can either complete this form online or print it and return via post to the address above."
"1311 Events full Terms & Conditions can be found here >>> "
"These terms and conditions constitute our agreement with you for the hire of artists featured on the 1311 Events portfolio. These are referred to as our 'terms'. It does, however, refer to 'performance contracts' between the client and the band, sets our their respective responsibilities and provides for a possible action 'by the client against the artist for non-fulfilment of their contract'"
The provision relied on by the second defendant, which appears on the third page of the document provides:
"RE-ENGAGEMENT
The client and artist agree that subsequent books within a 12 month period, from any artist provided by 1311 Events will be booked directly with 1311 Events and not with the artist directly."
"Subject to paragraph (3), an agency or employment business shall ensure that –
(a) all terms in respect of which the agency or employment business has obtained a work-seeker's agreement are recorded in a single document, or where this is not possible, in more than one document; and
(b) copies of all such documents are given at the same time as each other by the agency or employment business to the work-seeker with whom they are agreed before the agency or employment business provides any services to the work-seeker to which the terms contained in such documents relate."
Mr Bennett submitted to the judge, and to this court, that the term relied on is not enforceable because it was contained in a document separate from the contractual document to which the claimant agreed on 13 October 2004. Moreover, as a term imposing restrictions on artists, regulation 14(2) was intended to prevent it being introduced by a side-wind in a separate document. Neither party was aware of regulation 14(2) at the time the contract was made though it is clear from their pro-forma that the defendants were aware that there were formal obligations with which the second defendant was required to comply.
"There have been a large number of cases decided on various statutes dealing with the circumstances in which a breach of a statutory provision renders illegal, or incapable of suit, a contract to which it applies; but the general result of them is, I think, fairly clear. When the policy of the Act in question is to protect the general public or a class of persons by requiring that a contract shall be accompanied by certain formalities or conditions, and a penalty is imposed on the person omitting those formalities or conditions, the contract and its performance without those formalities or conditions is illegal, and cannot be sued upon by the person liable to the penalties. A case which affords a forcible illustration of that principle is Little v Poole 9 B & C 192, 201, where a statute provided that a vendor of coal should at the time of the delivery of it deliver also a signed certificate as to the quality of the coal, and the vendor, who had neglected to deliver the certificate, was held disentitled to recover the price."
"It would thus appear to follow that, as between the Claimants and the Second Defendant, the re-engagement term would be unenforceable and, accordingly, the conduct of the Claimants in contracting with Ms Dawes directly would not represent an actionable breach."
"However, it is important to note that where a contract or its performance is implicated with breach of a statute this does not entail that the contract is avoided. Where the Act does not expressly deprive the plaintiff of his civil remedies under the contract the appropriate question to ask is whether, having regard to the Act and the evils against which it was intended to guard and the circumstances in which the contract was made and to be performed, it would in fact be against public policy to enforce it."
"The fundamental question is whether the statute means to prohibit the contract. The statute is to be construed in the ordinary way; one must have regard to all relevant considerations and no single consideration, however important, is inclusive."
"If a contract has as its whole object the doing of the very act to which the statute prohibits, it can be argued that you can hardly make sense of a statute which forbids an act and yet permits to be made a contract to do it; that is a clear implication. But unless you get a clear implication of that sort, I think that a Court ought to be very slow to hold that a statute intends to interfere with the rights and remedies given by the ordinary law of contract. Caution in this respect is, I think, especially necessary in these times when so much of commercial life is governed by regulations of one sort or another, which may easily be broken without wicked intent."
"The true test is whether the statute impliedly forbids the provision in the contract to be sued upon."
Sachs LJ stated, at page 523:
"One must look at the relevant statute or series of statutes as a whole and then assess whether the legislature intended to preclude the Plaintiff recovering in the action, even when an essential act is under consideration. I am glad to come to a conclusion that accords with the normal rules for interpreting a statute and which avoids the courts being put into a strait-jacket such as that propounded on behalf of the tenant."
"Where any term of a contract is prohibited or made unenforceable by these Regulations, the contract shall continue to bind the parties to it if it is capable of continuing in existence throughout that term."
Fair Comment
"The comment
The following passages of the page are comment:
'The Gillettes c/o Craig Joseph are not professional enough to feature in our portfolio. For this reason, it may follow that the artists' obligations for your booking may also not be met. In essence, Craig Joseph who performs with/arranges bookings for The Gillettes and Saturday Night at the Movies may sign a contract for your booking but will not necessarily adhere to it. We would recommend that you take legal advice before booking this artist to avoid any possible difficulties.'"
"Here, the real sting of the libel (although this may well be for the jury to decide in due course) would appear to be the allegations that the Claimants take a generally cavalier attitude to contractual obligations and are not to be trusted in business dealings. It seems to me that they are factual in character rather than the expression of opinions. All that is specifically relied upon is the allegation of a breach, which forms the subject-matter of the justification defence. It may be thought, therefore, to add very little."
The judge also found that this was a private contractual dispute which could not be said to constitute a matter of public interest (paragraph 60). The judge commented, though it was not a final view, that the obligation of confidentiality imposed on employment agencies and businesses by regulation 28 of the 2003 Regulations meant that the blacklisting of the claimants in the email could not be regarded as a matter of public interest for the purpose of a fair comment defence.
"But if he sets out the facts correctly, and then gives his inference, stating it as his inference from those facts, such inference will, as a rule, be deemed a comment."
"16. In order to identity the point in issue I must first set out some non-controversial matters about the ingredients of this defence. These are well established. They are fivefold. First, the comment must be on a matter of public interest. Public interests is not to be confined within narrow limits today: see Lord Denning in London Artists ltd v Littler [1969]] 2 QB 375 at 391.
17. Second, the comment must be recognisable as comment, as distinct from an imputation of fact. If the imputation is one of fact, a ground of defence must be sought elsewhere, for example, justification or privilege. Much learning has grown up around the distinction between fact and comment. For present purposes it is sufficient to note that a statement may be one or the other, depending on the context. Ferguson J gave a simple example in the New South Wales case of Myerson v Smith's Weekly [1923] 24 SR (N.S.W.) 20 at 26:
To say that a man's conduct was dishonourable is not comment, it is a statement of fact. To say that he did certain specific things and that his conduct was dishonourable is a statement of fact coupled with a comment.
18. Third, the comment must be based on facts which are true or protected by privilege: see, for instance, London Artists ltd v Littler [1969] 2 QB 375 at 395. If the facts on which the comment purports to be founded are not proved to be true or published on a privilege occasion, the defence of fair comment is not available.
19. Next, the comment must explicitly or implicitly indicate, at least in general terms, what are the facts on which the comment is being made. The reader or hearer should be in a position to judge for himself how far the comment was well founded.
20. Finally, the comment must be one which could have been made by an honest person, however prejudiced he might be, and however exaggerated or obstinate his views: see Lord Porter in Turner v Metro-Goldwyn-Mayer Picture Ltd [1950] 1 All ER 449 at 461, commenting on an observation of Lord Esher M.R. in Merivale v Carson [1888] 20 QBD 275 at 281. It must be germane to the subject-matter criticised. Dislike of an artist's style would not justify an attack upon his morals or manners. But a critic need not be mealy-mouthed in denouncing what he disagree with. He is entitled to dip his pen in gall for the purposes of legitimate criticism: see Jordan CJ in Gardiner v Fairfax [1942] 32 SR (N.S.W) 171 at 174.
21. These are the outer limits of the defence. The burden of establishing that a comment falls within these limits, and hence within the scope of the defence, lies upon the defendant who wishes to rely upon the defence."
"Nor is it for the courts to chose between 'public' and 'private' purposes, or between purposes they regard as morally or socially or politically desirable and those they regard as undesirable. That would be a highly dangerous course. That way lies censorship. That would defeat the purpose for which the law accords the defence of freedom to make comments on matters of public interest. The objective safeguards, coupled with the need to have a genuine belief in what is said, are adequate to keep the ambit of permissible comment within reasonable bounds."
"There is no definition in the books as to what is a matter of public interest. All we are given is a list of examples, coupled with the statement that it is for the judge and not for the jury. I would not myself confine it within narrow limits. Whenever a matter is such as to affect people at large, so that they may be legitimately interested in, or concerned at, what is going on; or what may happen to them or to others; then it is a matter of public interest on which everyone is entitled to make fair comment."
"Confidentiality
(1) Neither an agency nor an employment business may disclose information relating to a work-seeker, without the prior consent of that work-seeker, except -
(a) for the purpose of providing work-finding services to that work-seeker;(b) for the purposes of any legal proceedings (including arbitration); or(c) in the case of a work-seeker who is a member of a professional body, to the professional body of which he is a member.
(2) Without prejudice to the generality of paragraph (1), an agency shall not disclose information relating to a work-seeker to any current employer of that work-seeker without that work-seeker's prior consent, which has not by the time of such disclosure been withdrawn, and shall not make the provision of any services to that work-seeker conditional upon such consent being given or not withdrawn."
"What is meant in cases in which it has been said comment to be fair must be on facts truly stated is, I think, that the facts so far as they are stated in the libel must not be untruly stated."
"In an action for libel or slander in respect of words consisting partly of allegations of fact and partly of expressions of opinion, a defence of fair comment shall not fail by reason only that the truth of every allegation of fact is not proved if the expression of opinion is fair comment having regard to such of the facts alleged or referred to in the words complained of as are proved."
"I cannot conclude that the Defendants have no real prospect of proving any of the statements of fact upon which they rely. . . . And in those circumstances, I cannot conclude that the Defendants have no real prospect of succeeding in their plea in reliance upon section 6: that is of failing to establish that the words not proved to be true do not materially injure the plaintiff's reputation having regard to the truth of the remaining charges. That is an issue that, in the present case, cannot be disposed of at this interlocutory stage."
Lord Justice Hooper :
Lord Justice Wilson :